George Cruikshank by William Makepeace Thackeray

(6 User reviews)   665
Thackeray, William Makepeace, 1811-1863 Thackeray, William Makepeace, 1811-1863
English
Hey, have you ever wondered what happens when one brilliant, complicated artist tries to write about another? That's exactly what you get in this odd little book. It's not really a standard biography. Instead, it's William Makepeace Thackeray—the guy who wrote *Vanity Fair*—trying to pin down the genius and the quirks of George Cruikshank, one of the most famous illustrators of the 1800s. Cruikshank's drawings were everywhere, from chilling political cartoons to the classic pictures for Dickens's *Oliver Twist*. But here's the thing: Thackeray knew him personally. So this review is part analysis, part tribute, and part friendly roast. It's a fascinating, sometimes messy look at how one creative mind views another. You get the sense Thackeray is both in awe of Cruikshank's talent and totally exasperated by the man. If you like peeking behind the curtain at Victorian London's art scene, with all its gossip and genius, this is a must-read.
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This book is a unique creature. It’s not a dry, fact-filled biography. It’s more like a long, insightful essay from one famous Victorian to another. William Makepeace Thackeray, the novelist, turns his sharp eye on George Cruikshank, the illustrator whose work defined an era.

The Story

There isn't a plot in the traditional sense. Thackeray walks us through Cruikshank's incredible career, from his early, savage political cartoons that mocked royalty and politicians, to his later, more famous book illustrations. Thackeray shows us how Cruikshank’s art evolved, but he’s just as interested in the man himself. He paints a picture of a fiercely talented, energetic, and sometimes difficult artist. He talks about Cruikshank's famous illustrations for books like Oliver Twist, but also about his personal crusades, like his passionate support for the temperance movement against alcohol. The "story" is really the story of a life in art, told by a friend and fellow creator who saw both the brilliance and the flaws up close.

Why You Should Read It

You should read this for the voice. Thackeray’s writing is witty, personal, and full of affection. He doesn’t put Cruikshank on a dusty pedestal. He shows us a real person—a genius with a pencil who could also be stubborn and single-minded. It’s like listening to a fantastic dinner party story about a legendary friend. You get a real sense of what the creative world of London was like in the 1800s. More than that, it’s a fascinating study of how artists see each other. Thackeray the writer is trying to understand and explain Cruikshank the visual artist, and that process itself is really compelling.

Final Verdict

This is a perfect pick for readers who love Victorian literature or art history, but want something that feels alive and conversational, not like a textbook. It’s also great if you enjoy biographies that focus on character rather than just a list of dates and events. You’ll come away feeling like you’ve met both men: the incredible illustrator and the novelist who was his witty, observant friend. Just don’t expect a straightforward, modern biography. Embrace the messiness and the personality—that’s where the magic is.

Sandra Hernandez
1 year ago

Not bad at all.

4.5
4.5 out of 5 (6 User reviews )

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