The Convert — Reading Companion

There were already a dozen or so persons in the gold-and-white drawing-room, yet the moment Vida Levering entered, she knew from the questing glance Mrs. Freddy sent past her children's visitor, that even now the party was not complete.

Other eyes turned that way as the servant announced 'Miss Levering.' It is seldom that in this particular stratum of London life anything so uncontrolled and uncontrollable as a 'sensation' is permitted to chequer the even distribution of subdued good humour that reigns so modestly in the drawing-rooms of the Tunbridge world. If any one is so ill-advised as to bring to these gatherings anything resembling a sensation, even if it is of the less challengeable sort of striking personal beauty, the general aim of the company is to pretend either that they see nothing unusual in the conjunction, or that they, for their part, are impervious to such impacts. Vida Levering's beauty was not strictly of the _eclatant_ type. If it did--as could not be denied--arrest the eye, its refusal to let attention go was mitigated by something in the quietness, the disarming softness, with which the hold was maintained. Men making her acquaintance frequently went through four distinct phases in their feeling about her. The first was the common natural one, the instant stirring of the pulses that beauty of any sort produces in persons having the eye that sees. The second stage was a rousing of the instinct to be 'on guard,' which feminine beauty not infrequently breeds in the breasts of men. Not on guard so much against the thing itself, or even against ready submission to it, but against allowing onlookers to be witness of such submission. Even the very young man knows either by experience or hearsay, that women have concentrated upon their faculty for turning this particular weapon to account, all the skill they would have divided among other resources had there been others. Yet the charm is something too delicious even to desire to escape from--the impulse centres in a determination to _seem_ untouched, immune.

The third stage in this declension from pleasure through caution to reassurance is induced by something so gentle, so unemphatic in the Vida Levering aspect, so much what the man thinks 'feminine,' that even the wariest male is reassured. He comes to be almost as easy before this particular type of allurement as he would be with the frankly plain 'good sort'; only there is all about him the exquisite aroma of a subtle charm which he may almost persuade himself that he alone perceives, since this softly gracious creature seems so little to insist upon it--seems, indeed, to be herself unaware of its presence. Whereupon the man conceives a new idea of his own perspicacity in detecting a thing at once so agreeable and so little advertised. He may, with a woman of this kind, go long upon the third 'tack'--may, indeed, never know it was she who gently 'shunted' him, still unenlightened, and left him side-tracked, but cherishing to the end of time the soothing conviction that he 'might an' if he would.' To the more robust order of man will come a day of awakening, when he rubs his eyes and retreats hurriedly with a sense of good faith injured--nay, of hopes positively betrayed. If she were '_that_ sort,' why not hang out some signal? It wasn't playing fair.

And so without anything so crude as a sensation, but with a retinue of covert looks following in her train, she made her way to the young hostess, and was there joined by two men and a middle-aged woman, who plainly had been a beauty, and though 'gone to fat,' as the vulgar say, had yet kept her complexion. With an air of genial authority, the pink-cheeked Lady John Ulland proceeded to appropriate the new-comer in the midst of a general hum of conversation, whose key to the sensitive ear had become a little heightened since the last arrival. The women grew more insistently vivacious in proportion as the men's minds seemed to wander from matters they had discussed contentedly enough before.