The Associate Hermits — Key Ideas to Explore

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Stockton, Frank R., 1834-1902, Frost, A. B. (Arthur Burdett), 1851-1928 [Illustrator] Project Gutenberg 2008 Not confirmed
Manners and customs -- Fiction; Camping -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 72,595
Reading time 316 min
Text sections 9

This digital edition of The Associate Hermits — Key Ideas to Explore is described by source-level measurements including 72,595 words, 5 hr 16 min estimated reading time, and 9 detected text sections.

The text analysis averages about 17.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Manners and customs -- Fiction,” connecting these edition facts with the source record’s subject description.

Frank R. Stockton's novel follows two newlywed couples and a cast of campers in the Adirondacks, where mismatched expectations, silent observers, and assertive individuals collide. The excerpts reveal a narrative built on understated humor, precise social observation, and a fascination with how people assert—or suppress—their individuality in close quarters.
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Editorial Edition Score 4.7/5

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Novelty had a charm for him. He was not bound by precedence and tradition, and if he had found himself at a dinner which began with coffee and ended with oysters on the half-shell, he would have given the unusual meal a most animated consideration, although he might have utterly withheld any subsequent approbation. As a general thing, he revolved in an orbit where one might always be able to find him, were the proper calculations made. But if any one drew a tangent for him, and its direction seemed suitable and interesting, he was perfectly willing to fly off on it.

The disposition of Mrs. Hector Archibald was different. She was born to be guided by customs, fashions, and forms. She believed it was the duty of a married woman to make her home happy, and she did it. But she also believed that in the best domestic circles there were rules and usages for domestic happiness which would apply to every domestic condition and contingency. It frequently troubled her, however, to find that certain customs, forms, or usages of domestic society had changed, and being of a conservative turn of mind, it was difficult for her to adapt herself to these changes. But, thoroughly loyal to the idea that what was done by people she loved and people she respected ought also to be done by her, she earnestly strove to fit herself to new conditions, especially when she saw that by not doing so she would be out of touch with her family and her friends.

Now of course the wedding of their daughter was the only thing in the world that seemed of real importance to Mr. and Mrs. Archibald, and for this all preparations and plans had been agreed upon and made with great good-will and harmony, excepting one thing, and that was the wedding-trip. Strange to say, the young people did not wish to take a wedding-trip. They believed that this old-fashioned custom was unnecessary, troublesome, commonplace, and stupid. In the gardens and grounds of the Archibald mansion, and in the beautiful surrounding country, they had loved each other as lovers, and among these scenes they wished to begin to love each other as a married couple. Why should such distasteful and unpleasant ingredients as railroad-cars, steamboats, and hotels be dashed into the pleasing mixture of their new lives? It had been arranged that for a year or two, at least, they should live in Kate's dear old home, and why should they not immediately begin that life there?

Mr. Archibald did not favor this plan, and his wife was strongly opposed to it. A wedding without a wedding-trip ought not to be thought of.

"During the honey-moon a young couple should live for each other, with each other, apart from the rest of the world. It is a beautiful custom, which should not be rudely trampled upon," said Mrs. Archibald.

But although Mrs. Archibald cherished a belief that she ought to conform her ideas to the domestic customs of the day, her daughter Kate cherished the belief that the domestic customs of the day ought to conform themselves to her ideas.

"Of course we should like to be alone in the honey-moon," she exclaimed. "We don't object to that; and if there must be a wedding-journey, you and father can take it and we will stay here. Here are servants, books, things to eat, and everything our hearts can desire, and here we would really feel as if we were beginning life as man and wife. As for you two, you both need a vacation, and nothing could be more perfectly appropriate and more delightful to everybody than that you should take our wedding-trip. We don't want it; we will make it a present to you. Take it and be happy, and leave us here to be happy. People have done this sort of thing before, so that it is not absolutely wild and unheard of."

Mr. Archibald welcomed this plan with open arms, and hugged it and his daughter to his breast. It suited him admirably, and he declared that all business and engagements of every kind should be set aside, and that he would be ready to start on the wedding-journey with Mrs. Archibald the moment the ceremony should be completed.

"You will wait until the reception is over, father?" said Kate, laughing.

"Yes," said he, "I will wait for that."

The opening chapter introduces Mr. and Mrs. Hector Archibald, described as "prosperous and happy dwellers in a suburb" who have reached "early middle age." Their daughter Kate is about to marry a young lawyer named Rodney Bringhurst. Stockton establishes a tone of mild, affectionate irony: Mr. Archibald is "a little man, with small bright eyes, and hair slightly touched with gray and very much inclined to curl," with a "strong liking for cheerful occurrences." The wedding-journey, however, is not the couple's but the parents'—a detail that signals the book's interest in sidelong perspectives and unconventional pairings.

Silent Observers and Talkative Companions

One of the most striking patterns in the excerpts is the contrast between characters who talk incessantly and those who listen. During a boat ride, Margery (the Archibalds' niece or companion) observes Miss Raybold, who "did not speak one word to her, nor did she appear to regard her in any way." Meanwhile, Mr. Archibald "seldom said a word. He listened, sometimes his eyes twinkled, and he pulled easily and steadily." This dynamic recurs: the talkers—like Miss Corona, who "kept steadily talking about her own affairs and the society she belongs to"—are oblivious to their surroundings, while the silent characters absorb the scene. Stockton uses this asymmetry to generate quiet comedy and to hint at interior lives that remain unspoken.

The Assertion of Individuality as a Recurring Motif

Chapter titles such as "The Assertion of Individuality" (XIV), "Mrs. Perkenpine Asserts Her Individuality" (XVII), and "Martin Asserts His Individuality" (XX) suggest that the book treats self-assertion as a central, almost ritualized theme. In the excerpts, this plays out in small rebellions: Harrison Clyde, tired of Raybold's complaints, deliberately beaches their boat and announces, "I am not going to pull against that current with you growling in the stern. I am going to walk back to camp." The phrase "asserts her individuality" appears in the chapter list for Mrs. Perkenpine, a character who later "delights the Bishop" (XXVII). These moments suggest that Stockton is less interested in grand drama than in the quiet, sometimes absurd ways people claim autonomy within social constraints.

The Landscape as a Stage for Social Friction

The setting—a lake with two camps, Camp Rob and Camp Roy—is not merely picturesque but functional. The boat trips, the current, the landing places, and the "big untenanted camp-ground" all become arenas for social maneuvering. When Clyde and Raybold argue about rowing, the physical difficulty of the current mirrors their interpersonal friction. Margery's internal monologue—"how on earth... she can float over this beautiful water... and yet pay not the slightest attention to anything she sees"—explicitly links the natural environment to a failure of perception. The landscape, in Stockton's hands, is a neutral stage that exposes characters' priorities: those who notice it (like Margery) are set apart from those who ignore it.

The Role of the Guides and Servants

Minor characters like Matlack, Mrs. Perkenpine, and Martin appear in chapter titles and excerpts, often as agents of disruption or commentary. Matlack, the guide, "kept his eye upon the following skiff, and seemed to fear a collision if the two boats came close together, for if Clyde pulled hard he pulled harder." His actions subtly control the party's movements. Mrs. Perkenpine, who "brought letters and newspapers" and later "asserts her individuality," seems to be a servant or camp-keeper with her own agenda. These figures are not mere background; they have named chapters and their actions affect the plot. Stockton grants them a degree of agency that complicates the social hierarchy of the main characters.

Readers approaching The Associate Hermits for the first time should pay close attention to the chapter titles, which function as a kind of ironic roadmap. The book's humor and insight arise from small gestures—a twinkling eye, a beached boat, a silent listener—rather than dramatic events. Stockton's prose rewards patience: the apparently trivial details of camping life accumulate into a pointed study of how people manage (or fail to manage) their own individuality in the company of others.

Reading about those campers in the Adirondacks, I kept thinking of how they talked past each other. Stockton’s quiet humor made me remember an older story about two telegraph operators, finding intimacy through clicks and dashes. Both are about people circling connection, missing cues, and learning meaning in the static between words. That one lingers: Wired Love: A Romance of Dots and Dashes — Key Ideas to Explore. It felt like the same unspoken ache, just sent along a wire.

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