Dwellers in Arcady: The Story of an Abandoned Farm — Themes and Context

Westbury was soon to become we should have given him a closer inspection. However, he did not devote himself to us. He appeared to be on terms of old acquaintance with our driver, climbed into the front seat beside him, and lost himself in news from the outlying districts. The telephone had not then reached the countryside, and our driver brought the latest bulletins. The death of a horse in Little Boston, the burning of a barn in Sanfordtown, the elopement of an otherwise estimable lady with a peddler, marked the beginning of our intimacy with the affairs of Brook Ridge.

The hill was steep, and in the open field at one side a little cascade leaped and glistened as it went racing to the river below.

"That's the brook that runs through your farm," Mr. Westbury said, quite casually, in the midst of his interchanges with the driver.

"Our farm!" I felt a distinct thrill. And a brook on it! All my life I had dreamed of owning a brook.

"Any trout in it?" I ventured, trying to be calm.

"Best trout-brook in the township. Ain't it, Ed?"--to the driver.

"Has that name," Ed assented, nodding. "I never fish, myself, but I've seen some good ones they said come out of it."

We were up the hill by this time, and Mr. Westbury waved his hand to a sloping meadow at the left.

"That's one of the fields. Over there on the right is some of your timber, and up the hill yonder is the rest of it. Thirty-one acres, more or less. The brook runs through all of it--crosses the road yonder where you see that bridge."

I could feel my pulse getting quicker. There was no widely extended view, but there was a snug coziness about these neighborly meadows and wooded slopes, with the brook winding between; this friendly road with its ancient stone walls, all but concealed now by a mass of ferns or brake on one side, and on the other by a tangle of tall grass, goldenrod, purple-plumed Joe Pye weed, wild grape with big mellowing clusters, wild clematis in full bloom. New England in summer-time! What other land is like it? Our brook, our farm, here in the land of our fathers! There were a warmth, a glow, a poetry in the thought that cannot be put down in words--something to us new and wonderful, yet as old as human wandering and return.

But then all at once we were pulling up abreast of two massive maple-trees and some stone steps.

"And here is your house," said William C. Westbury.

_Ghosts like good architecture_

I believe I cannot quite give to-day my first impression of the house. In the years that have followed it has blended into so many other impressions that I could never be sure I was getting the right one. I had better confine myself to its physical appearance and what was perhaps a reflex impression--say, number two.

One glance was enough to show that it was all that the other old house was not. It did not sag, or lurch, or do any of those disreputable things. It stood up as straight and was as firm on its foundations as on the day when its last hand-wrought nail had been driven home, a century or so before. No mistaking its period or architecture--it was the long-roofed salt-box type, the first Connecticut habitation that followed the pioneer cabin; its vast central chimney had held it unshaken during the long generations of sun and storm.

Not that it was intact--oh, by no means. Its wide weather-boards were broken and falling; the red paint they had once known had become a mere memory, its shingles were moss-grown and curling, the grass was uncut. The weeds about the entrances and rotting well-curb grew tall and dank; the appearance of things in general was far from gay. Clouds had overcast the sky, and on that dull afternoon a sort of still deadliness hung about the premises. No cheap, common house can be a haunted house. Ghosts like good architecture, especially when it has become pretty antique, and they have a passion for neglected door-yards. The place lacked nothing that I could see to make it attractive to even the most fastidious wandering wraith. As I say, I think this was not my first impression, but certainly it was about the next one, and I could see by her face that it was Elizabeth's.

"Place wants trimming up," said Mr. Westbury, producing a big brass key, "and the house needs some work on it, but the frame is as sound as ever it was. Been standing there going on two hundred years--hewn oak and hard as iron. We'll go inside."