The Reckoning — A Closer Reading

(0 User reviews)   591
Chambers, Robert W. (Robert William), 1865-1933 Project Gutenberg 2008 Not confirmed
United States -- History -- Revolution, 1775-1783 -- Fiction; New York (State) -- History -- Revolution, 1775-1783 -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 105,874
Reading time 461 min
Text sections 12

The source record for The Reckoning — A Closer Reading measures this digital text at 105,874 words, 7 hr 41 min estimated reading time, and 12 detected text sections.

The text analysis averages about 18.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “United States -- History -- Revolution, 1775-1783 -- Fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on Robert W. Chambers's The Reckoning, focusing on its narrative voice, shifts in pace, and use of romantic tension within a Revolutionary War setting, based on excerpts from the Project Gutenberg edition.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Many had vast estates, farms, acres on acres of game parks, and lived like the landed gentry of old England. Yet, save for the DeLanceys, the Crugers, their kinsmen, the Fannings, kin to the Tryons, Frederick Rhinelander, the Waltons, and others too tedious to mention, the gentlemen who had the most to lose through friendliness to the cause of liberty, chose to espouse that cause.

As for the British residents there, they remained in blameless loyalty to their King, and I, for one, have never said one word to cast a doubt upon the purity of their sentiments.

But with all this, knowing what must come, no other city in America so gaily set forth upon the road to ruin as did patriotic New York. And from that dreadful hour when, through the cannon smoke on Brooklyn Heights, she beheld the ghastly face of ruin leering at her across the foggy water--from that heart-breaking hour when the British drums rolled from the east, and the tall war-ships covered themselves with smoke, and the last flag flying was hacked from the halyards, and the tramp of the grenadiers awoke the silence of Broadway, she never faltered in her allegiance, never doubted, never failed throughout those seven years the while she lay beneath the British heel, a rattlesnake, stunned only, but deadly still while the last spark of life remained.

Were I to tell a tithe of all I know of what took place during the great siege, the incidents might shame the wildest fancies of romance--how intrigue swayed with intrigue there, struggling hilt to hilt; how plot and plot were thwarted by the counterplot; how all trust in man was destroyed in that dark year that Arnold died, and a fiend took his fair shape to scandalize two hemispheres!

Yet I am living witness of those years. I heard and saw much that I shall not now revive, as where the victims of a pest lie buried it is not wise to dig, lest the unseen be loosened once again. Yet something it may be well to record of that time--the curtain lifted for a glimpse, then dropped in silence--to teach our children that the men who stood against their King stood with hope of no reward save liberty, but faced the tempest that they had unchained with souls self-shriven and each heart washed free of selfishness.

So if I speak of prisons where our thousands died--hind and gentleman piled thick as shad in the fly market--sick and well and wounded all together--it shall not be at length, only a scene or two that sticks in memory.

Once, in the suffocating heat of mid-July, I saw a prison where every narrow window was filled with human heads, face above face, seeking a portion of the external air. And from that day, for many, many weeks the dead-carts took the corpses to the outer ditches, passing steadily from dawn to midnight.

All day, all night, they died around us in ship and prison, some from suffocation, some from starvation, others delivered by prison fevers which rotted them so slowly that I think even death shrank back reluctant to touch them with his icy finger.

So piteous their plight, these crowded thousands, crushed in putrid masses, clinging to the filthy prison bars, that they aroused compassion in that strange and ancient guild that once had claimed the Magdalen in its sad sisterhood, and these aided them with food, year after year, until deliverance.

They had no other food, no water except from polluted drains, no fire in winter, no barriers to the blackest cold that ever seared the city from the times that man remembers. I say they had no other food and no fire to cook the offal flung to them. That is not all true, because we did our best, being permitted to furnish what we had--we and the strange sisterhood--yet they were thousands upon thousands, and we were few.

It is best that I say no more, for that proud England's sake from whose loins we sprang--it is best that I speak not of Captain Cunningham the Provost, nor of his deputy, O'Keefe, nor of Sproat and Loring. There was butchers' work in my own North, and I shall not shrink from the telling; there was massacre, and scalps taken from children too small to lisp their prayers for mercy; that was devils' work, and may be told. But Cunningham and those who served him were alone in their awful trade; cruelty unspeakable and frenzied vice are terms which fall impotent to measure the ghastly depths of an infamy in which they crawled and squirmed, battening like maggots on hell's own pollution.

From its opening lines, The Reckoning announces a narrator who is both participant and observer, a voice that shifts between brisk action and introspective pause. The excerpt reveals a scene of hurried correspondence, where the protagonist, Carus, writes a letter under Elsin Grey's direction, their dialogue alternating between practical concerns and charged emotional undercurrents. Chambers modulates pace through this interplay: the rapid exchange of instructions gives way to a sudden, almost cinematic stillness when Carus realizes his love. The prose tightens, repeating 'I could not utter a word' to mirror his paralysis, then surges into a torrent of metaphor—'Love! It blinded me with its clamor'—marking a clear gear change from plot mechanics to psychological intensity.

Voice and the Unreliable First Person

The narrator, Carus, speaks in the first person, but his account is filtered through retrospective awareness and emotional volatility. In the excerpt, he describes his own voice as 'unlike my own,' suggesting a dissociation that recurs throughout the passage. This technique creates a layered narrative: the reader witnesses events through Carus's immediate perceptions while sensing his later reflection. Chambers uses this to build ambiguity—Carus admits to being 'half-minded to write "one another" instead of "them"' in the letter, a slip that reveals his subconscious desires before he consciously acknowledges them. The voice thus becomes a tool for dramatizing self-discovery, with the narrator's own words betraying him.

Pace and the Interruption of Action

Chambers controls tempo by interrupting physical action with psychological freeze-frames. The scene begins with a gallop and urgent writing, then halts when Carus and Elsin confront their feelings. The moment Carus 'stretched out my hand like a man dazed,' the narrative slows to a crawl, focusing on tactile details—'the thrill of it seemed to stun me'—and on the characters' stillness: 'she stood there, pallidly uncertain.' This deceleration contrasts sharply with the earlier brisk dialogue and the implied violence of the spy plot. The effect is to weight the romantic crisis as heavily as any battlefield event, suggesting that internal conflicts carry their own dramatic force.

Recurring Motifs: The Letter and the Threshold

The letter-writing scene functions as a microcosm of the novel's concerns: communication, concealment, and commitment. Carus and Elsin negotiate what to say and what to omit, with Elsin insisting that the word 'wedded' be scratched out to avoid 'an affront to Destiny.' This motif of the incomplete or altered message recurs when Carus writes 'we love—them' instead of 'one another,' a deliberate ambiguity that mirrors the characters' own uncertainties. Additionally, the threshold—Elsin retreating 'step by step, passing the portal of her chamber'—becomes a charged boundary between public and private selves. Chambers returns to this spatial image to mark emotional distance, as Elsin 'faced me still, fascinated eyes on mine' while physically withdrawing.

Readers attentive to Chambers's craft will find that The Reckoning rewards close attention to its narrative seams—the moments where voice falters, pace stutters, or objects like letters and doorways carry symbolic weight. The excerpts suggest a novel that balances historical romance with a psychological interiority often associated with later fiction. Approach the text as a study in how characters reveal themselves through what they nearly say, and how the rhythm of prose can mirror the pulse of a story.

Something about that old Revolutionary War romance stayed with me—not the battles, but the quiet pauses between words, the way tension lingers in a glance. It reminded me of reading Daisy Ashford: Her Book — Background and Themes, where the unfinished, tender moments feel equally alive. Both left me holding my breath long after the last page turned.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Take a moment to reflect on this book

Create a short personal record of your experience with this book.

Your progress 0 / 10
1

What is your current status with this title?

2

How much did you enjoy the reading experience?

3

Would you pass this book on to a friend?

4

How demanding did the text feel?

Related eBooks